Viewing entries tagged

1/9/18 - Special Guest: Caustic Casanova

Thanks to Stefanie, Andrew, and Francis of Caustic Casanova, for hanging out with us in the studio this week!

^^Episode Audio/Post Is Live - Click Above (might need to buffer/load, refresh page if you have any issues)^^

Podcast:  iTunesGoogle PlayStitcher, TuneInPocket CastsPodBeanPlayerFM, or THIS URL in your app of choice




  1. Benedict Cumberbatch, by Nardo Lilly (Folk, Singer-Songwriter)

  2. Lord Pinto, by Caustic Casanova (Hard Rock, Psychedelic Metal)

  3. Carrying Curses, by Spirit Plots (Rock, Garage)

  4. Flying, by Nah (Indie, Psychedelic Rock)

  5. Sometimes Dogs Perceive Other Dogs Differently When They're Wearing Hats, by ShowPony (Indie, Instrumental)

->Follow The Show's Spotify Playlist<-


DC’s Funk Parade is looking for artists.  Know of one?  Fill this out or send this to your favorite one!

We’re on Google Home!  So cool!  Do you have one of these little speakers?  Try saying this, “Hey google, play the podcast DC Music Rocks on Tunein”  It worked for us!?
Funny P.S. - First thought that came to mind when this worked was to shout “Oh Snap!  DC Music Rocks is IN DA HOUSE!  Literally!”  So clever sometimes...HAHA!

Amazon Alexa owners, we haven’t figured out what the magic words are on there.  Can you try a few?  Please send us a note if you figure out a command that works!  


Our 2018 New Releases by DC Artists’ Spotify Playlist:


Area 301 - Product of Hip Hop

Soldiers of Suburbia - Where Do We Go

Our ‘DC Artists Official Music Videos’ Youtube Playlist:


Check the calendar, linked below, for the full list!

Jan 12 Fri
Free Lobster Buffet @ Villain & Saint in Bethesda, MD
The Woodshedders @ Gypsy Sally’s in Georgetown

Jan 13 Sat
Elana Los Fulanos & Run Come See @ Pearl Street Warehouse at The Wharf by SW Waterfront
19th St Band @ Hill Country in Chinatown/Archives

Jan 14 Sun
Black Alley @ The Fillmore in Silver Spring, MD
Rare Essence @ The Howard Theatre by Shaw

Jan 16 Tues
Annie Stokes @ Gypsy Sally’s in Georgetown

Jan 18 Thurs
Cassie Urbany @ Jammin Java in Vienna, VA


Would you support us?  We'd love to grow and do more!  We're giving away shirts, access to our private facebook group, and more!  We also intend to set aside 10% to contribute directly in the DC Local Music Scene through charities, sponsorships, events, etc.  We want to continue to pay it forward!

HUGE shoutout to our current Patrons! 
--Daniel Warren Hill

Caustic Casanova


Caustic Casanova's Bio:

Caustic Casanova Pic

Caustic Casanova is a loud, heavy rock band from Washington, DC that has learned the power of constant motion. Since 2013 they’ve practiced and toured tirelessly, showcasing their brands of “absurdly muscled uber-psyche” (Indy Week Raleigh) and “beautiful aural assault” (KnowYourScene) all across North America while releasing new music regularly, with no intention of slowing down.

After forming as teenagers at the College of William and Mary in 2005 and recording several albums and EPs there and in DC, CausticCasanova found itself at a critical juncture in 2012 following the departure of the band’s original guitarist. The rhythm section of drummer/vocalist Stefanie Zaenker and bassist/vocalist Francis Beringer wanted to play even heavier, more experimental music in the vein of Rush and the Melvins, and wanted to tour relentlessly, but weren’t sure if they could find a guitar player who would match their ambition. After a few sets as a bass/drum duo, rounds of guitar player auditions finally yielded the missing element to the new CausticCasanova, longtime fan, friend and all-around six string wizard Andrew Yonki.

In Andrew’s four years with the band, the rejuvenated Caustic Casanova has played hundreds of shows, doing all their own booking in DC and throughout North America, with plans for more touring throughout the world. Even a life-threatening wrist and back injury to drummer Stefanie Zaenker barely curtailed the band’s forward momentum. The CC was back rehearsing less than three months after her second round of surgeries, recorded a 7" (Pantheon: Vol 1) and a full-length (Breaks), and was back on another full US tour within the year.

Since opening for sludge rock titans Kylesa in 2014 and signing to their eclectic label Retro Futurist, Caustic Casanova's relentlessly intense live show has earned plenty of notoriety, and their 2015 LP Breaks has garnered much praise for its uniquely diverse take on heavy.

Caustic Casanova is released their second 7 inch, Pantheon: Vol 2, on September 8th. It features original song “Lord Pinto” and a theremin/guitar/noise freakout cover of the Melvins’ classic “Cow." Catch them on tour in 2018!

“CC...presented a noticeably eccentric set of what could be described as organized chaos, showcased undeniably great musicianship and ripped the stage to shreds.” - Metal Assault (Los Angeles)

“This trio has long been a favorite of mine as they’ve graced many stages in the DC area for several years with their creative, twisted psychedelic metal.” -  DC Rock Live

“I have seen a lot of bands over the years, and I am sure that Caustic Casanova is one of the loudest I have ever witnessed.” - NewsWhistle (Minneapolis)

“For me, the thing that sets CC apart from a lot of heavy rock and metal bands is that their songs are so various — they manage to surprise with different rhythms and textures, avoiding one continuous dark, thrummy sound that blurs from one song to another.Their delivery is pretty flawless — you hear the craft and care that have gone into the songs, which also feature some thoughtful, literate vocals.” -

CC Alec Berry Dino Egg Promo.jpg


Brian:    On DC Music Rocks, we're shining a spotlight on the great songs, artists and incredible people behind the DC region's local music scene. Caustic Casanova is a loud, heavy rock band from Washington DC. They formed as teenagers at the College of William and Mary in 2005 and recorded several albums and EPs there and in DC. Since 2013 they've practiced and toured tirelessly, showcasing their talents all across North America while releasing new music regularly, just like the one you just heard. There's no intentions of slowing down either. They've played hundreds of shows and they're doing all their own booking in DC and throughout North America with plans for more touring throughout the world. They released their latest EP, That One, on September 8th, is the exact date.

    I first came across these guys when I was introduced to their music. Somebody said, "Oh, you should check out Caustic Casanova." It was like, "Oh my God, they're so powerful. I love this band." Now I've gotten to play them on the show before and now I actually get to have you guys here, so this is a treat, thanks for being here guys.

Stefanie:    Thank you so much.

Brian:    Now first and foremost, talk about the name. Where does the name Caustic Casanova come from?

Francis:    The name, it just comes from me liking alliteration and wanting to just have ... We wanted to call the band The Casanovas. The real story is we wanted to call the band The Casanovas and there was already some band from Australia or something called that. Then I just looked up another word in the dictionary, Caustic Casanova. It sounds really good. I've had a lot of different stories about it but it just sounds cool. I really like it. I think it stands up to this day. A lot of people regret their band names. I think it's cool. We always get questions about it.

Stefanie:    Many mispronunciations also.

Brian:    Oh, I can only imagine. Somebody's trying to introduce you guys and then-

Andrew:    Misprints as well. We once received a payment in an envelope addressed to "Caustic Casablanca."

Stefanie:    We've also gotten Acoustic Casanova, which is pretty far from the truth.

Brian:    I was going to say, there is nothing acoustic about you guys.

Andrew:    The fact that I used acoustic guitar on one song on an album is still, I cannot fathom it. Cannot believe I let that happen.

Stefanie:    It'll be really cool though.

Francis:    It sounds great.

Brian:    Which song is that, now that you're talking about it?

Andrew:    It's yet to be released.

Brian:    Upcoming. All right.

Andrew:    Upcoming.

Brian:    You know, speaking of that. You talked about these new releases and stuff. Where do they go if they want to follow you guys to find out when that stuff comes out? Where do they go?


Andrew:    @CausticCasanova on Twitter.

Francis:    And CausticCasanova on Instagram.

Brian:    There it is.

Francis:    We update all of those pretty regularly and ... yeah.

Brian:    What is it that makes you guys special or different, in your opinion.

Stefanie:    I think the style of music that we play is what comes to mind because it's not really categorizable. I don't know. We get everything from heavy metal B-52s to the Breeders to, "You guys sound like Caius." People are always getting different inspirations from our ... from seeing us live or just listening to a recording. That is definitely one thing that makes us unique musically.

Andrew:    We all listen to a lot of different styles and our individual tastes inform a lot how we approach our individual instruments, but I think what really makes us special is that we have a really bizarre and weird sense of humor. We take our music really seriously, but as far as ourselves and our personalities, we don't take it too seriously at all. We like to have pun-offs in the van to see who can make Stefanie groan the loudest with the puns.

Stefanie:    That makes it sound like I'm not involved in these pun-offs. I very much am.

Andrew:    That's because you have the worst.

Brian:    Oh my God, I can only imagine what road trips with you guys are like. That must be amazing.

Andrew:    I've also come up with nicknames for all of us using the Caustic Casanova template. Thank you Stefanie.

Brian:    Oh, this is so good. I love it. What is it now that ... Talk about the DC region connection now. You've always been DC. We said William and Mary's where you got together and then you've been based in DC ever since?

Stefanie:    Francis and I are two of the original members of the band. We formed at the College of William and Mary in Williamsburg, Virginia. Then I was two years younger than him so we took a few years off. Fran is from the area originally, I moved here in 2008 and Andrew moved here in 2004, because he went to American. Since then we've all kind of been in the area.

Brian:    How did you guys get together?

Francis:    The original guitar player and Stefanie and I, I lived in the same hall as the original guitar player in college when I was 17. Then we found Stefanie through an exciting new thing called Facebook, which was very, we just searched for drumming.

Stefanie:    It was the first year that it was around, actually. 2004.

Brian:    That's right, 2004.

Francis:    We found someone through just searching "drumming" and four people came up and we talked to them and she came in and we were so desperate for just anyone that she played a beat for just half a second, we said, "Okay, that's good."

Brian:    Then you found out how absolutely incredible she is.

Francis:    Yeah.

Brian:    It was like your best decision.

Stefanie:    I don't know if I'd say that then. That was a long time ago.

Brian:    But you've come a long way. If you watch videos of these guys, Stefanie puts it down for sure. All these guys put it down, let's be real, but ... wow. Love it.

Francis:    We formed ... I just want to make sure that Andrew gets ...

Brian:    Oh yeah, talk about Andrew. That's right.

Francis:    We sort of disbanded in 2012 for a little bit, mostly because we wanted on tour a lot and it just wasn't possible with the situation we were in in 2012. Our guitar player left the band and then we decided we were going to continue, but only if we could get someone who was really, really, really good. We tried out a lot of people and it just turned out that our really good friend, who had mostly played in punk bands that we knew, had a lot more to offer as far as space rock and all sorts of things. We ended up asking him and it's been a joy ever since. Take it away, Andrew.

Brian:    Andrew, I love that, man.

Andrew:    In case you couldn't figure it out, I was the really good friend that they were talking about.

Brian:    I started to wonder for a second, but then I realized, no there can't be another plot twist here. That must be you he's talking about.

Andrew:    They were hoping to get their really good friend in the band but they wound up with me instead. This is what it's like, this is what it's like in the van.

Brian:    I'm getting more ... I was going to say. I'm imaging what it's like in the van. This is so good.

Stefanie:    But it's also a lot smellier.

Francis:    I knew she wouldn't be able to hold back from getting that in.

Brian:    Oh, [crosstalk 00:07:32]. We don't have to ... We don't have to go down that road.

Stefanie:    We don't have to go there.

Francis:    Don't go blue. This is a family show.

Brian:    Well, hold on.

Francis:    Keep it clean.

Brian:    On that then, we'll talk about you guys outside of the music then. On the personal side, hobbies, or what do you do in your free time. Talk about that. Each of you.

Stefanie:    Well, I really like to spend time outside. Francis always makes fun of me because I use, "I was an outside kid," as an excuse for why I don't know a lot ...

Francis:    Know what the Cloud is.

Stefanie:    ... of popular culture or that I didn't really understand what the Cloud was, yes I'll say it. A couple years ago I was like, "What is it? Is it a physical cloud?" Anyway, I won't go there. I really like cycling, I like running, I like staying active, basically doing anything outside. I like trying new food, new beer. I really like sour beer and I like attending shows. Those are some of my favorite things to do.

Brian:    Nice. Francis, what about you, man?

Francis:    I like to do all of those things. The amount of time that the three of us spend together is pretty ridiculous since it seems like we do everything together both in and out of the band. We all pretty much do a lot of the same things. We all love food. That's part of what we love about touring is finding new restaurants and new beers and new cocktails and different things in different cities.

     I personally, just the only thing that Stef didn't mention, I love reading books. I tried to read 40 books last year.

Brian:    How'd you do?

Francis:    I failed, but ...

Brian:    How many did you do?

Francis:    Fewer than 30. A real 700 page doorstop about North Korea really hung me up. That was the one that killed me. More light reading for 2018.

Brian:    A doorstop about North Korea. God, that's such a current event thing too, I love it. Andrew, what about you, man?

Andrew:    Well, I mentioned earlier, I live in Frederick so my girlfriend and I, we spend a lot of time just wandering around downtown Frederick. We like to try the restaurants there and a lot of really good breweries up there that we like to sample and some really good hiking. We love cooking and I love to see what fun stuff I can do with my cast iron pan. There's some deliciousness.

Brian:    You mentioned breweries, just out of curiosity, is there one that comes to mind as like the latest one you tried recently that was, "Oh God, that was such a good brewery?" You like that one?

Andrew:    My favorite brewery up in Frederick is Attaboy. It started out as just a brewery where you could do growler fills on the weekends and now they're starting to distribute on draft lines in Frederick. It's still a really small operation and they make really, really delicious beers. The brewery space is super nice. It's a great way to spend an afternoon, get something from the food truck and play giant Jenga.

Brian:    Nice. That's cool. All right now, back to you guys as a band, one of the things I'm curious about, because you've been at this for lot of years, what's the biggest success moment that comes to mind for you guys so far?

Stefanie:    I guess that means there have been none. Just kidding.

Brian:    There's so many.

Stefanie:    I think ... I'll keep it short but I'll speak for all three of us when I say, getting signed to Retro Futurist Records, the label that Kylesa, the psychedelic metal band owns was a highlight. We played with them once in 2012 or something like that.

Andrew:    2013.

Stefanie:    They really liked us and they asked, "Do you guys have anyone to release your upcoming record?" We didn't and then we kind of just kept talking with them and that's how we got signed to the label and that's the first label that we had ever been on. Yeah, I think all three of us were pretty floored by that.

Francis:    That was going to be my choice, to get to open for one of your heroes and then for them, based on a 25 minute performance, to come up to you and say, "We'd love to release your record and to be associated with you," and how great we were. That's something I'll never forget for the rest of my life. That was pretty awesome.

Brian:    That's amazing. One more, now this one's for each of you. One of my favorite questions to ask is, if you could offer one piece of advice, what would it be? Andrew, start with you, man.

Andrew:    Well my one piece of advice would be, if you want to play music just get whatever instrument it is that you want to learn how to play and start making noise with it. Don't wait for somebody to teach you what you're doing, just start making noise and when something you do sounds good to you, do it again and keep building off of that. Don't wait for anyone.

Brian:    That's awesome. I like that one. What about you, Francis?

Francis:    This is something that I would say is advice maybe for younger musicians or people in the area, this is just basically aimed at musicians, but one is you do not ... It is absolutely wrong that you need to have a local following to tour. If you want to tour and you think your band is good, you should just start doing it right way, as soon as possible. A lot of the success that happened to our band would never have happened if we had abided by the very wrong rule that you need to have built up a local following before you tour. We built up a local following by touring, by impressing people that we had been on tour, that wanted to see us when we came back here.

Brian:    Nice.

Francis:    Secondly is that when you are trying to become a musician, you're trying to write, you're trying to get really good, listening to as much music as humanly possible is just as important as playing and different kinds of things and getting exposed to stuff outside your comfort zone is what will make you good, as much as practicing.

Brian:    I love it and you get a pass, because I asked for one piece of advice and that was two.

Francis:    Sorry.

Brian:    I love how, you're such an overachiever, I love it, man. Francis is good. Stefanie, talk to us, what do you got?

Stefanie:    If you're a band that's preparing to go into the studio, I would say practice ... you know, for the first time or the second time, if you haven't done this before, practice your songs to a metronome during your practice, if there are parts that you can do that to. We didn't do that the first few times that we went into the studio and now we're in the habit of doing that and it just makes things so much easier for us and for the engineer, for the producer, both parties are just way happier. It creates a better product, it's more fun and, yeah. Definitely, it might be hard at first, but you'll get used to it and it definitely helps a lot in the studio.

Brian:    Practice with a metronome. I love it guys. One more time, if they want to follow you guys and find out more about what's happening with Caustic Casanova, where do they go?

Andrew:, @CausticCasanova on Twitter, CausticCasanova on Instagram,, oh and by the way, no spaces in between Caustic and Casanova on Instagram.

February 07, 2017 - Special Guest: Alex Drewenskus of WAMU's Capital Soundtrack

^^Episode Is Live Now - Click Above (might take time to buffer/load, refresh page if issue)^^

National Podcast:  iTunesGoogle PlayStitcherPocket CastsPodBeanPlayerFM, or THIS URL in your app of choice



  • Clarendon Grill in Arlington, VA now features DC area original music.  They call it the Thursday Circus, and the evening generally features at least 2 original bands:  Our host, Brian Nelson-Palmer, will be there this Thursday with Fellowcraft, joined by The Forever Agos with Cathy Ditoro and Derek Evry.  Come say hi!  Next week is Pleasure Train and Escaper,  Following that is Olivia Mancini, VA Southpaws, and Nova-tones.  Linked bands we've featured on this show!

  • We're up to 20 videos from DC area talent who've shared their Tiny Desk videos for NPR with us!  Check them all out on the Find-Browse Artists Page!

  • DC Music Resources Page on this website, continuously updated list of: Venues, Festivals, Event Series, Media, Radio, Blogs, Podcasts, Organizations, Facebook Groups, Record Stores, Labels, Management, Studios.


  1. Aaron's Blues - Aaron Myers (Jazz/R&B)
  2. Serious - Roof Beams (Folk/Indie)
  3. Sensory Insensitivity - ShowPony (Indie/Instrumental)
  4. Cairo - Paperhaus (Indie/Alternative)
  5. Ashe - Nitemoves (Techno/Electronic)
  6. Hounds of Thoughts - The Sea Life (Rock/Shoegaze)
  7. Intro/Outro music by Fellowcraft (Hard Rock/Blues)

->Follow The Show's Spotify Playlist<-

Alex Drewenskus



Alex Drewenskus is a broadcast technician at WAMU 88.5, Washington, D.C.'s NPR member station, and currently engineers WAMU's 1A, a daily talk show that takes a deep and unflinching look at America to bring context and insight to stories unfolding across the country and the world. He has previously worked on The Diane Rehm ShowKen Rudin's Political Junkie, and has worked at the famed electronic music venue U Street Music Hall. In mid-2016, Alex helped launch WAMU's Capital Soundtrack project, an initiative that showcases local music on WAMU's airwaves in order to connect the station and its listeners to the music of the region. Since Capital Soundtrack's introduction, WAMU has played nearly 2,000 songs by artists from all over the D.C. area and encourages artists to submit their own music to become a part of the project. Alex graduated from American University with a degree in Audio Technology and is a native of Washington state.


Interview Transcript

Brian:     Alex Drewenskus from WAMU's Capital Soundtrack is a broadcast technician at WAMU 88.5 FM which is Washington DC's NPR member station. Currently engineers WAMU's 1A which is a daily talk show which brings context and insight to stories unfolding across the country and around the world. He previously worked on the Diane Rehm Show.

Alex:      Rehm Show.

Brian:     Rehm Show. Yes, please give me these pronunciations right. I got the Diane Rehm Show, Ken Rudin's Political Junkie, and at the famed electronic music venue, U Street Music Hall. In mid-2016 Alex helped launch WAMU's Capital Soundtrack Project which is an initiative that showcases local music on WAMU's air waves in order to connect the station and its listeners to the music of the DC region. Since Capital Soundtrack's introduction WAMU has played nearly 2,000 songs by artists from the DC region and encourages artists to submit their own music to become a part of the project.

                  I first came across Capital Soundtrack with my band, Fellowcraft. We were looking for ways to spread the ways about Fellowcraft and I heard that on 88.5 they played local music. We came across Capital Soundtrack and they've played Fellowcraft along with, like it said, several thousand songs. Listeners, it's with great pleasure that I introduce Alex.

Alex:      Thank you, Brian.

Brian:     Thanks so much for being here.

Alex:      That was an extensive introduction, thank you for that.

Brian:     Well, I want to give them the background so now you can tell us more. Now, tell us about the Capital Soundtrack, let's start there. Capital Soundtrack. Where did that come from? What's the story behind that?

Alex:      Yeah, so a team of us at WAMU have been working on Capital Soundtrack for about the last eight months, we launched it about six months ago. Essentially, what it is is an initiative that wants to play as much local music as possible so that we can ... Sorry, DC region music as possible so that we can further associate WAMU which is a public media station, it's a public radio station. We want to associate our station with the sound of the region so we don't want WAMU to just be a part of the region, we want it to sound like the region as well.

Brian:     That's ... And I really, I think it does, it's really ... I can't tell you how many times I've seen on Facebook somebody say, "Oh my God, my song was just on 88.5 FM." It really is, it's wonderful that you're making that connection with the region. Thank you guys and thank you WAMU for starting this initiative and for doing this.

Alex:      Well, you're welcome.

Brian:     Now, what's the ... You said it's an NPR affiliate. What's the MPR connection to you guys?

Alex:      Essentially the way NPR works is NPR produces shows and they distribute those shows to NPR member stations which are community radio stations, public radio stations throughout the country. Most major cities have an NPR member station in them. The one for the DC area is WAMU 88.5 FM. If you tune in each station might have different content and they might have shows that they create. Then they might also play the shows that are the flagship programs of MPR. Shows like All Things Considered, Morning Edition. Then, it's up to stations to determine how much of those programs they want to play and what they want to play when those programs are not playing, so they can make their own content.

Brian:     Got it. How much is the ... How much is you guys here locally, and then how much of the ... What's the proportion of, like, NPR and you guys here at 88.5?

Alex:      The majority of our programming is bought from several public media organizations. NPR, American Public Media is another large one, that they abbreviate their name to APM, so you may have heard of their stuff. Then, several other production companies. We pick a lot of shows for the weekend, that we only play an hour of that organization's programming a week because they only make maybe one show a week, that kind of thing. During the weekdays the majority of our programming is bought from NPR. We also have our main programs, the Kojo Nnamdi Show and 1A which is another program that I work on.

Brian:     Capital Soundtrack then, how will people ... Tell more about what that actually means? They're going to hear little clips of music behind what somebody's saying? What are they going to hear if they hear the Capital Soundtrack specifically?

Alex:      Each day we allocate 20 songs, 20 songs that are by DC area musicians. We allow our engineers and hosts to play those songs during our local breaks. During a show like Morning Edition they'll hear content made by NPR. Then during the break which we know comes at certain times, agreed upon times, during that time we have the ability to play that under our host talking. Say if the host wants to, really likes the track or something they can just fade it up and they can play that track for as long as they want.  If it's a one minute long break they might talk for 30 seconds and then you might hear 30 seconds of a local musician.

Brian:     Got it. This is in between the breaks in NPR, this is where you'll hear the Capital Soundtrack stuff.

Alex:      Exactly.

Brian:     During other times of the day too? Is it throughout the day?

Alex:      It's throughout the day. It's 24 hours a day. Even though we go into automation basically we allow our computer system to play our program shows overnight. We have basically programmed it so that it will take snippets of Capital Soundtrack songs and it will insert them into those breaks as well. It's all throughout the day. The Kojo Nnamdi Show, they use that music as their break music. They use it as not only a transition away from their host but the vocal host who's talking during that time might also use that music. It's a lot of different opportunities for people to hear local music, local DC area music.

Brian:     That is so cool. Now, talk about ... On 1A, you're working with that show now. What is 1A? Tell us about that?

Alex:      1A is the successor show to the Diane Rehm Show. Diane Rehm was a staple of public radio for almost four decades. She stepped away from the microphone, she's 80-years-old.

Brian:     Oh my goodness.

Alex:      She's been doing this for a really long time and she's become one of the flagship programs of NPR. She's really widely recognized as one of the greatest female hosts and hosts in general of NPR. 1A is the successor show to that. Our new host, Joshua Johnson, he's about half her age, half of Diane's age.

Brian:     Which makes him an incredibly young and handsome gentleman I'm sure.

Alex:      Yeah. Yeah, he's great. He came from California and he just joined us. We just launched our show on January 2nd of this year. Basically, we're a two hour talk show and we look at the issues of our time, the culture reporting, arts reporting, politics, news events, all different kinds of things. 1A essentially stands for the first amendment. We encourage free speech, free expression, and we want our listeners to engage with us on the show. We really call out for listeners and their input as much as possible.

Brian:     How would they provide their input?

Alex:      Basically, we have Twitter, we have Facebook, we have email. They can call us live. If you want to find us on Twitter we are at 1A. We're just the number 1, the numeral 1 and the letter A. It's just the two letter handle on Twitter, it's pretty rare.

Brian:     That's about as easy as it gets.

Alex:      We're very proud that we got that actually.

Brian:     That's amazing.

Alex:      Yeah. It's many, many different resources. You can go to and you can also find more information about the show there.

Brian:     Find it all there, that's so cool. Now, Alex, tell us about you and your story with the DC music scene.

Alex:      I moved here about six years ago and I went to American Union University. I studied Audio Technology, essentially what is Audio Engineering. I was really interested in recorded music, live music, sound design. I found that DC actually had a great live music scene as you know, Brian, as well.

Brian:     It certainly does, good gracious, yeah.

Alex:      It's extensive. There are so many artists in this area and it's not just DC, it's Maryland, it's Virginia. It's up the river, down the river. It's an entire community of people that create what the sound of this area is. Yeah, that's how I got interested in music, I knew there was this big diversity there.

Brian:     You mentioned in your bio about U Street Music Hall. What's the ... There's a connection there? What's the ... ?

Alex:      Yeah. When I was in school I was lucky to get a job at U Street Music Hall. For those who don't know, it's a dance club and concert venue. It's on U Street of course, given the name. It's often voted as one of the greatest sound systems on the entire East Coast. It's a basement venue and it's about ... It can hold over a thousand people in there.

Brian:     Holy smokes.

Alex:      Yeah, it's a great venue.

Brian:     Check out U Street Music Hall, that's amazing. Now, one of my favorite questions that I love to ask is, what's one piece of advice that you would offer?

Alex:      One piece of advice that I would offer is go seek out live music. If you don't like live music go seek out recorded music. Go online. There are plenty of resources throughout the region. If you go to a place like Hometown Sounds they create a great radio show themselves. Shows like yours, DC Music Rocks. We have the DC Music Download. There's an incredible wealth of music and talent out there, you just have to find it. There are websites that aggregate all the venues in the area, all the events that are going on. Every night there's a possibility to see live music if you'd like.

Brian:     That's amazing. I'll check out the scene. Now, for those folks who are interested in finding out more, and I want you to share about the submission process for Capital Soundtrack. Talk about the show and where they find you and how they submit, an artist if they're listening with submit music.

Alex:      Yeah. If you go to you can find all of our play lists. We post a daily play list of the songs that were heard that day.

Brian:     Oh, so you can find it on the website.

Alex:      Absolutely, yes.

Brian:     Awesome.

Alex:      On that page,, you can also click our submit a track link. If you create music yourself or even if you've heard a track that you like you can recommend a song. You can submit those songs to us and we'll seek them out. If you provide a link to us that's even easier. We'll listen to it. We're looking for instrumental music or instrumental portions of songs at least 30 seconds in length. That's so that our hosts and our engineers can fade in and out of it, they can talk over it if they need to. It's tough with music with vocals because the vocals of the music can clash with a host talking over it sometimes. It's not the easiest so we look for instrumental music or instrumental portions of songs.

Brian:     So cool. Listener, it doesn't have to be the artist. Listeners, if you know of an amazing band that you love in town then share that with WAMU as well because they're playing that stuff as well. Are you guys, so I heard

Alex:      Org/music. That'll send you to our bandwidth music site. Bandwidth is our music blog basically. It's our online music destination and it covers local and national music news.

Brian:     That's the, I've heard that name before. Okay, so, check that one out. You guys, social media? I assume you guys are doing that stuff too?

Alex:      Yes, of course.