Viewing entries tagged
Fort Knox Five

10/23/18 - All Music Episode ft Hip Hop, Funk, Pop, and R&B

We have so many artists and songs we've been wanting to share that we took a week without a guest or news so we could concentrate on playing more music!

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FROM TODAY'S SHOW

MUSIC

  1. Fire (Live), by Del Florida (Pop/Progressive Pop)

  2. ***Favorite, by DameSmiff (Hip Hop/R&B)

  3. Superstition, by Mark G. Meadows (Jazz/R&B)

  4. Gravity, by Footwerk (Hip Hop/Alternative Hip Hop)

  5. Jinglin’ Janglin’, by Fort Knox Five (Funk)

  6. ***Bleu Chanel, by ARIA (Hip Hop/Trap)

  7. ***Massive Miner, by Igloo Two (Hip Hop/Instrumental)

  8. Block Party, by Chuck Brown (GoGo/Funk)

  9. Connect, by Black Alley (Hip Hop/Rock)

  10. If You Really Cared, by Billy Winn (Pop/EDM)

  11. ***The Beginning to a Beautiful Ending, by The Shinobi of Chernobyl (Hip Hop/Avant-Garde)

  12. Mismatch, by Beau Young Prince (Hip Hop/R&B)

***The first time we've played this artist for you on the show, & a new artist profile added to our DC Artist Database!  There's new artists every week!

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DC Music Rocks All Music Episode Oct 23 2018
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March 7, 2017 - Special Guests: Andy Cerutti & Steve Raskin of Fort Knox Recordings

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Andy Cerutti & Steve Raskin

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BIO

Fort Knox Five and Fort Knox Recordings were launched in 2003 by Steve Raskin, Roby Myers, Sid Barcelona and john Horvath. These guys met together as part of Thunderball, the first artist signed to Thievery Corporation's label ESL music back in the mid-1990s, and decided to start their own label, a new group focused on funk for the dancefloor. The label has gone on to drop over 100 releases and widen the list of artiststo include See-I, Nappy Ridem, Ursula 1000, Qdup, Omegaman, Empresarios and Thunderball. With the tragic passing of John Horvath in the summer of 2015, Steve Raskin has carried the torch as the leading DJ of Fort Knox Five and regularly tours across the US and Canada. In addition to all the great music they released and shows played around the world, Fort Knox Five and Fort Knox Recordings have licensed a lot of music to movies, video games and more - including the 2010 Oscar Winning Best Documentary "The Cove", Fox TV's "The Fringe" and countless EA Sports and Disney video games. Andy Cerutti joined the team in 2008, and in addition to serving as Label Manager, he also manages the various bands and artists on the label.  

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Interview Transcript

Brian:     Fort Knox Five and Fort Knox Recordings were launched in 2003 by Steve Raskin, Rob Myers, Sid Barcelona, and Jon Horvath. Now these guys, their focus was funk for the dance floor. The label's gone on to drop over a hundred releases and many more artists, including some of D.C.'s greats. In addition to all the great music they have released and shows played around the world, Fort Knox Five and Fort Knox Recordings have licensed a lot of music to movies, video games, and other places as well, so it's really branched out. Andy joined the team in 2008 and in addition to serving as Label Manager, he also manages the various bands and artists on the label as well.

                  I first came across these guys' music when I was first starting the show. I think it was Black Masala, was the first band where I ended up connecting with Andy and now it's such a treat, listeners, for me to be able to introduce these guys to you and have them here. So guys, thanks so much for being here.

Steve Raskin:      Thanks for having us.

Andy Cerutti:     Yeah, thanks a lot.

Brian:     This is really cool. Let's start with the track that we just played now. That was Fort Knox Five. Tell us about Fort Knox Five.

Steve Raskin:      Well, I think one of the interesting things you actually mentioned, Fort Knox Five has always been about funk at the root of it all. That track in particular was a collaboration that was destined to happen. We always celebrate D.C. music. We're very much supportive of the whole D.C. music scene. For us to be able to collaborate with a D.C. legend like Sir Joe Quarterman, who paved the way for what we're doing, really, right now, which is representing D.C. with some funky dance music. Actually, that was a great story. We actually got to meet ... I'm a long time fan of Sir Joe Quarterman. He did a project called the Free Soul back in the 70s and had a song called, "I Got So Much Trouble On My Mind." A fantastic funk song, one of those old school kind of funk 45 things. Actually, through Andy's connection with the Funk Parade, we had the privilege of actually getting introduced to Mr. Joe Quarterman.

Andy Cerutti:     Yeah, it was really cool to meet him. I mean, he's a D.C. legend and I go to the Funk Parade meetings and there's Joe Quarterman. We just kind of approached him and said, "Hey, are you interested in making some new music together?" The next thing you know, he comes into the studio and these guys made this great track, which is an instant classic, really.

Brian:     I love how those stories come together and how you just suddenly, magically end up with magical tracks like that.

Steve Raskin:      Absolutely.

Brian:     And the connections. It's getting to know folks around town. I love that. I'm dying to know the story behind the name. Fort Knox? Tell me. Tell me the story.

Steve Raskin:      Well, it's like all good stories. It starts with more of a legend than anything else. No. Fort Knox Five was always kind of an inside joke between us. Like you mentioned before with Rob Myers, Sid Barcelona, and Jon Horvath and myself, the four of us together were doing this project and I kept calling it the Fort Knox Five even though there was no fifth member, because none of us are really vocalists. The fifth member really became everyone that we collaborated with. From the get go, we always joked about how all our favorite bands came in fives. It was the Fort Knox Five just like Jurassic 5 and the MC5 and ...

Andy Cerutti:     Jackson 5.

Steve Raskin:      ... Jackson 5. I mean, there are so many. All the bands came in five. It was like, "Name a four band." There's no fours. The Fantastic Four, the Funky 4, there were very few. They were all in fives, and the five kind of really encapsulated what we wanted to do with music in general, which was about collaboration. As instrumentalists, the whole point of us doing Fort Knox Recordings as an extension of Fort Knox Five was to really celebrate the D.C. music scene. That's been, really, our ethos from the beginning. Fort Knox Five is the five is the four.

Brian:     That's amazing. Four of you guys together with a fifth member is the Fort Knox Five. I love it.

Steve Raskin:      It really completes the sound.

Brian:     Fort Knox Recordings then, was that just an extension of Fort Knox Five? Now it's going to be recordings, too?

Steve Raskin:      Yeah, well, no, and actually the Fort Knox Five, the name itself came as a joke. We used to call our recording studio just Fort Knox, because all we had was the music. The music was our gold. Fort Knox was sort of a tongue-in-cheek when our studio was in the hood. You were like, "Yeah, we got nothing to steal here except the music."

Brian:     Except the music, I get it now. Fort Knox, holding tight the music.

Steve Raskin:      Exactly.

Brian:     Oh, I love that. That's cool.

Andy Cerutti:     The classical ... The label compilation The New Gold Standard kind of sets that also apart. It's like the gold in Fort Knox ...

Steve Raskin:      ... is really just the tunes.

Brian:     There you go. So the name of the label that you guys have is ...

Steve Raskin:      I mean, the label is Fort Knox Recordings, too. Like you had mentioned in the intro, we launched the label and the group at the exact same time. The label was a vehicle for us to be able to do a collaboration with the idea of making funky dance music really celebrating D.C.

Brian:     That's amazing. Andy, how did you get linked up with these guys? What's the story there?

Andy Cerutti:     I've known a bunch of them since way back in the 90s from the music scene, and especially the co-founder Jon Horvath. Him and I were real tight. In the mid-2000s, when they were ready to sort of take the label to the next level, start releasing a bunch of other artists, Empresarios, See-I, Nappy Riddem, they were interested in bringing on somebody who could help them build the foundation and build the platform larger. That's where I came in. That's when we started really fleshing out the full identity and bringing in all these different artists and releasing so many great projects, which we continue to do.

Brian:     Holy smokes. I've featured a lot of those artists you just mentioned. They've got profiles on the site. Phenomenal music coming from those guys. Some of my favorite jams are from some of those guys.

Andy Cerutti:     Absolutely.

Brian:     It is really cool to see what you guys have built here. That's amazing. Now go ahead, I want you to clarify, if someone comes to see a Fort Knox Five show, what can they expect to see?

Steve Raskin:      Actually, that's interesting that you say that, too, because given the name Fort Knox Five and the sort of mythical confusion behind it ... Are we a band? Is it a DJ? We make the dance music, inherently, but we've done so many different incarnations of it. We've done the full live band where we had horn sections, live drums, bass, all of us playing live instrumentation. But that's been few and far between. More often than not, Fort Knox Five has been I've been traveling representing Fort Knox Five playing eclectic DJ sets and mixing originals, instrumentals, remixes, collaborators, all into the sets. From the five becomes a single DJ set, and then as an extension of that, Jon and I ... the original founding member, Jon ... we've been doing a four turntable or a four deck set where we were doing live ... Everything that we were doing in the studio, this sort of mash-up kind of culture, but we were doing it live. We'd play instrumentals and acapellas and take our acapella and put it on top of a Biggie song, or taking all these things and sort of interchanging these things.

                  That's something that we've been doing really as a festival thing. The Fort Knox Five four deck set now includes our collaborator Jason, Qdup, who we're putting out his new single, and the two of us go out and do that same kind of four deck set.

Brian:     That's cool.

Steve Raskin:      It's Fort Knox Five solo, the four deck set, and then occasionally the live band.

Brian:     For listeners who don't know what a four deck set means, what is that?

Steve Raskin:      It's, like I was sort of saying, four turntables that we're syncing up live, not as a preplanned set. Almost as jamming, as a live mash-up, where we can take our songs and use other people's vocals on top of it or our instrumentals. It's sort of a jigsaw puzzle of live music.

Brian:     That's amazing.

Steve Raskin:      It's not just sequencing songs as a DJ set. It's creating the actual songs that are created on the spot.

Brian:     Got it. For you guys outside of the music scene now, do you have other hobbies? If they were to meet you outside of this stuff, what might they see you doing?

Steve Raskin:      Well, Andy? I don't know.

Andy Cerutti:     I'm a history professor.

Brian:     Really?

Andy Cerutti:     Absolutely. I'm an adjunct professor out at NOVA Annandale.

Brian:     Wow. Shout out to the NOVA kids who might be listening. All right.

Andy Cerutti:     Absolutely. Absolutely.

Steve Raskin:      You may have had Professor Cerutti.

Brian:     Cool. I love it. All right, also adjunct professor. I like that. Okay, what else you got?

Steve Raskin:      I'm actually a graphic designer by trade. When I first started in the D.C. music scene, even way back in, going back to the 90s, the punk rock days, I used to design a lot of album packaging for ... specializing in D.C. local music from ... I used to do from Jawbox to Girls Against Boys, a lot of the old D.C. punk stuff. Then from that I started doing national bands like Bad Religion. I designed some of their record covers. Then through that I actually met the Thievery Corporation guys and started designing their records. In terms of a little history ...

Brian:     Oh, okay. That's a lot of design, yeah.

Steve Raskin:      Design has sort of [crosstalk 00:09:35].

Brian:     Okay, that's design. Tell me, how did music come into both of your lives? What's the story there?

Steve Raskin:      For me, music has always been an integral part of it. I think as a visual artist and as a musical artist, I think they kind of go hand in hand. Watching old spy chase movies and Blaxploitation movies really, that inspired me more to make music than the actual music of the time, because it's more of a feeling. I tend to be more inspired creatively by visual things that put in ideas as opposed to sort of like imitating or emulating kind of things. But I think they go hand in hand.

Brian:     Hence the graphic designer thing you were talking about.

Steve Raskin:      Hence the graphic designer thing.

Brian:     But you also play an instrument. What instrument?

Steve Raskin:      I play bass guitar, keyboards. In the live setting I play bass, but in the studio it's one of the things that I love about making modern electronic music, or electronic bass music, is that as a multi-instrumentalist I can sit there and do this orchestration that I could never have done before. If I want a string section or a horn section I can kind of concoct it and structure it and we have such amazingly talented musicians here in D.C. that to be able to get Frank Mitchell or some of the other horn guys to come in and be able to do a horn section and replay these ideas that you can kind of get into your mind is one of the most amazing things about our collective group of friends.

Brian:     That's cool. Andy, what about you? How did music come into ... That's totally different from history professor.

Andy Cerutti:     Absolutely. Absolutely. I mean, it's actually pretty easy for me to explain it because in 1994 I started working at Tower Records.

Brian:     Oh, Tower Records. I remember those guys.

Andy Cerutti:     Absolutely. Yeah, I mean, I still have a lot of friends from Tower.

Brian:     Nice.

Andy Cerutti:     It's still a big part of my life. I worked there for several years and I became a singles buyer. I got an office in the back. I'm dealing with the representatives and the sales charts and data and really, that's where it really began for me on the business side. I'm not a musician, so I do business and management side.

Brian:     I see.

Andy Cerutti:     Around that same time I linked up with a DJ, DJ Slant, from here in Washington, D.C. We formed a company, 2Tuff Productions. We threw countless events and concerts and tours and special shows promoting drum and bass music, which in a roundabout way is how I became linked up with these guys.

Brian:     That's amazing.

Andy Cerutti:     It's a true D.C. story through and through.

Steve Raskin:      Exactly.

Brian:     For both of you guys, one of the questions I love to ask is if you could offer one piece of advice, what would it be?

Steve Raskin:      I would always say when people ask me that kind of question, there's so many different things to say, but the truth of the matter is if you really want to do something just don't give up. Don't rely on someone else to do it. I think part of that is the D.C. ethos of growing up in the punk scene, which is if you wanted to do a show, put a show together. If you want to put out a record, you want to do a recording, go and do it. There's nothing really stopping you.

Andy Cerutti:     Absolutely. I'd say longevity, perseverance, you know?

Steve Raskin:      Yeah, don't give up.

Andy Cerutti:     Right when you think that it's time to quit, that's just when you're getting started. You got to stick in it. If you're not prepared for decades of commitment, you're not in the right field.

Brian:     Wow, okay. Stick with it. God, great messages, guys. I dig it. One other fun question. What's one thing in your music collection that might surprise us? Come on, Steve. Don't hold out on us, now. Andy started laughing because there's something there. What do you got?

Steve Raskin:      Well, yeah, in the same way that I like 60s and 70s car chases, I also like really cheesy music from the 60s and 70s, too. It's what would be considered light and fluffy, maybe like bossa nova light, more of the cha-cha kind of stuff.

Brian:     Okay. Really? So are we talking like "Girl From Ipanema," like the classic?

Steve Raskin:      Oh, yeah. "Girl From Ipanema," sure.

Brian:     Really?

Steve Raskin:      Yeah.

Brian:     Wow. Well, I guess that also makes sense because like Fort Knox Five ...

Steve Raskin:      It makes a little sense. Yeah, sure.

Brian:     It's still the big band and actual instruments and it's not just electronic. Not too much of a stretch, I've got you. What about you, Andy?

Andy Cerutti:     I've had so many musical phases it's hard to pinpoint one. I had a phase where I went through the Grateful Dead and some jam music, which is not something that's a big part of my life now, but I feel like it played a role in sort of shaping my musical development.

Brian:     That's amazing, guys. If listeners want to find out more about you guys or follow you guys online where do they go to find out more about you?

Andy Cerutti:     FortKnoxRecordings.com is an absolutely great spot. FortKnoxFive.com, because we have so much going on that we kind of have to parcel it out between the label and the artist.

Brian:     Sure. Right, which is great problems to have.

Steve Raskin:      Sure. Exactly.

Brian:     So much cool stuff happening. I love it.

Steve Raskin:      Find us on ... Especially, we have tons and tons of mixes. Go to SoundCloud.com, Fort Knox Five. We do a series called Funk the World, which is basically what it says, inspired funk from across the globe. Different types of genres, hours and hours and hours to be entertained too.

Andy Cerutti:     I mean, every platform. SoundCloud, Mixcloud, Twitter, you name it, you'll find us there. Fort Knox or Fort Knox Five.

February 21, 2017 - Special Guests: Geoff Browning and Jon Modell from “Of Tomorrow”

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FROM TODAY'S SHOW

NEWS

Washington City Paper's Best of DC Poll is out.  Go vote for your favorite local original band.  We've got 170+ Profiles of deserving bands on our Find-Browse Music page

MUSIC

  1. Live By The Sword - Lanternfish (Rock/Noise Rock) Album Release Show 2/25 @ DC9!  
  2. Drunk On The Power - Holly Montgomery (Rock/Adult Contemporary)
  3. The March - Of Tomorrow (Rock/Funk)
  4. That's Love - Oddisee (Hip Hop/Rap)
  5. Insight - Fort Knox Five, Asheru (Funk)
  6. I Love You Madly - Black Masala (Funk/Brass)
  7. Intro/Outro music by Fellowcraft (Hard Rock/Blues)

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Of Tomorrow

Geoff Browning & Jon Modell

Video - Bio - Photos - Links

Bio

DC Music Rocks Of Tomorrow

At the core, Of Tomorrow’s music is authentic, technical and diverse – touching on the sounds of funk, Latin jazz, festival rock, samba, neo-soul, and hip-hop. Formed in late 2015, the band is comprised of core members Nick Soderstrom (bass), Jon Modell (drums) and Geoff Browning (guitar / vocals)--fixtures on the DC music scene who have toured extensively, performing at sold-out venues including DC's 9:30 Club and the All Good Music Festival. Together, these three form the rich backbeat, melodies and lyrical structure for other players to texture, improvise and compose over.

On a mission to energize its fans and empower both core and guest musicians to shine, of Tomorrow has released their self-titled album and continues to write, tour and record. They have performed with John Popper or Blues Traveler and regularly collaborate with Ralph Washington and DJ Unown of Oddisee and Good Compny, the Yellow Dubmarine horns, and a long list of well know, extremely talented regional players. Appearing in dozens of cities and festival venues this Summer, of Tomorrow is not a band you want to miss. Tomorrow is yours.

DC Music Rocks Of Tomorrow (2)
DC Music Rocks Of Tomorrow (3)
 

Interview Transcript

Brian:     That was Of Tomorrow, my guest for today and that was the track The March.

Goeff:         Yes it was.

Brian:     At the core, Of Tomorrow's music is authentic, technical, and diverse, touching on the sounds of funk, Latin, jazz, festival rock, Samba, neo soul, and hip hop. They bring it all together. They were formed in late 2015 and the band's comprised of their core members: Nick, Jon, and Geoff. Together these three formed the rich back beat melodies and lyrical structure for other players to texture, improvise, and compose over. Of Tomorrow's release, their self-titled album and continue to write, tour, and record all around the region.

                  I've known these guys and I've seen these guys around the scene for years and listeners, it is with great pleasure that I introduce Geoff and Jon from Of Tomorrow.

Geoff:         Hello, world.

Brian:     Say hi, fellas.

Jon:         What's up, guys? How's it going?

Brian:     It is such a treat having you hear. Now talk to us about where ... How Of Tomorrow came together. How did that happen?

Geoff:         Well, I played in a band around D.C. for a long. That's where I met Jon. Jon's actually toured pretty extensively and played with a lot of folks. Bands sometimes go the way of the dinosaurs. It's part of the industry, I suppose.

Brian:     True. All right.

Geoff:         I had recently left one project and I ran into Jon at this amazing meeting of the minds jam session out in Virginia and told him the story and he said, "Oh, well, actually that's interesting because I have a new project coming together with this bass player I met who is amazing." And Nick is amazing. He said, "We have a show next Friday. Would you like to play with us?"

                  I said, "Yes," and we practiced for about 30 minutes for a four-hour set and we had so much fun we said, "Wow, we should actually start writing songs and bringing in more people who we know, who are talented in the scene, teaching them the songs, and aggressively booking shows." It came together from there.

Brian:     That's amazing. Jon, I want to switch over to you. Where did music come into your life? Geoff just said that you've been playing for a while. Talk about that a bit.

Jon:         Yeah, I started beating on pots and pans as a baby. My mom really was all about that.

Brian:     Beating on pots and pans?

Jon:         Yeah.

Brian:     Yes!

Jon:         She just encouraged me to hit all kinds of stuff in the house and make sounds.

Brian:     All right.

Jon:         I had a little record player with five or six records. This Fisher-Price thing I'll never forget. I just loved music from the beginning, but I took some Suzuki piano early on. I just really didn't have that much interest in studying music until I saw a couple of local players around my early teen years. Like when I was 14, I saw this great jazz drummer and I went up to her ... Her name was Roberta Washington and asked her to give me lessons. Same with the pianist. Walked up to him and asked him to give me lessons. It came into my life that way.

Brian:     Whoa, so both piano and drums then?

Jon:         Yeah, and at the same time I was going to school at [Maret 00:03:04] in D.C. and me and a couple of guys there formed a punk band. We played a lot of Bad Brains covers and whatever.

Brian:     Nice.

Jon:         We eventually hooked up with a singer. Amanda [Makki 00:03:15] actually. Don Z was just in here. I played around the D.C. punk scene and in a hip hop band called 3LG back in the day. I came into music really playing a lot of different styles.

Brian:     Sure.

Jon:         I didn't really care. I loved hip hop. I loved early rap. I loved early electronic music. I loved jazz and I studied 'em all and have been looking for a band that I could just be me, which means I could do a lot of things, which is the impetus for forming this group for me.

Brian:     Yeah.

Jon:         In its early inception was just to really be a place that music's music and I think people are smart enough and open enough out there now to be able to love just good music.

Brian:     What about you, Geoff? How does music enter your life? What's that story there?

Geoff:         Well, I think everything I ever wanted in a band including things I didn't know I wanted, I've found in this band, but it was a long journey to get there.

Brian:     It sounds like the beginning of a sweet love story. It's such a sweet love story.

Geoff:         It is. It is.

Brian:     Tell us more.

Geoff:         Okay, so my grandfather was a musician. He actually played during World War II in the marine corps band. His band was actually weaponized and turned into a fighting unit. The whole band was shipped to the Pacific. It's a pretty crazy story. There's actually a lot of military history that's been written about it, but ...

Jon:         I was just going to say I really hope that doesn't happen to us.

Geoff:         I hope that doesn't happen to us. Not out of the question in these crazy times, Jon.

Jon:         I'm not looking forward to being weaponized.

Geoff:         Yeah. So he was a musician. My mother was a music teacher so growing up we had a big roomful of random noisemakers to play around with and she ... I always wanted to play guitar. She said that she played guitar. She was a music teacher from when I was negative nine months old all the way through birth so I listened to a lot of guitar in that period. My brain's wired around it.

Brian:     Okay, so guitar's your thing.

Geoff:         Yeah, so I picked that up until I was about 18. Wanted to be a professional musician. Got cold feet. Wandered around for a year. Wasn't sure what to do. Then found political passions and spent the better part of 10 years exclusively pursuing that passion using skillsets that actually aren't overall dissimilar to music in some ways like you and I talked about earlier. Now for the first time as an adult, I'm doing both.

Brian:     Wow, which makes for a pretty busy schedule, I would imagine.

Geoff:         Yeah, it's not good for things like sleep, but it is very good for overall having a balanced life where I do things I'm passionate about. Sometimes it's been very trying. Lately, especially, but the band has really been a great outlet.

Brian:     That's cool. Now you guys had said there was a start ... We just played that song, The March, from a ... There's a video that I'll post with the episode of these guys ... They did a live broadcast from a recording studio and it's just an amazing video and a lot of fun to watch the dynamics of everything that is happening. Tell us about that.

Jon:         Can I actually just tell a little bit about the musical side of it before, Geoff, you tell a little bit about the lyrical side of it?

Geoff:         Oh, please do. Absolutely. Yeah.

Jon:         Because that song represents what you read out of the bio, for me. It started as a formed bass drum/guitar back beat and then we brought two keyboardists and a trumpet player who aren't the core members of our band to come in and compose over it. The result is what I think, when you play that song back to back with others songs, I listen to, I'm really proud that it sounds fresh and it sounds different and it doesn't sound intentionally different because it's not.

                  What it is is just grabbing people from all different areas and saying, "You're not committed to performing some certain genre or certain sound. We've got the bass drums and guitar covered. You be you and we're going to come up with something we have no idea what it's going to be," and that's what The March ... And that's what that recording [crosstalk 00:07:08].

Brian:     And what we heard, was that really ... They had never played that with you before or they knew the basics?

Jon:         No, they've come up with it. They've helped us come up with that song, but not every note is supposed to be plotted out.

Brian:     Yeah.

Geoff:         Essentially the way that things have gone recently is we took a book out of the playbook of Everyone Orchestra who's a band who are good friends of ours from by Matt Butler out of Portland, Oregon. He invites people who he knows who are really talented to come and play with them. Well, Jon, Nick, and I write a lot of the songs and the songs have really ... We would like to think strong structures, lyrical content, things like that, but then we invite keyboard players and horn players and violin and rappers and anyone we want to come in over it. As a result, the result is always really creative and fresh and inspiring, at least to me.

                  With that particular song, the lyrical content's interesting. When we're not touring around, I live on Capitol Hill, about two blocks from the U.S. Capitol. I was walking on the plaza one day and there was this big rally going on behind the Capitol and everyone was singing, "Corporations aren't people." I started walking away and in my head I started thinking like, "[humming]."

                  The first two lyrics there are, "Corporations aren't people," but then the third time I say, "Corporations are made of people," because the thing about it is corporations ... It was interesting to hear that protest say that because they were frustrated with corporate personhood, obviously, but at the end of the day, corporations are made of people. They're just other people who are really good at exercising their political leverage very effectively. I think especially for our friends who care about things like economic fairness and basic rights, I think it's important to maintain that distinction and not see the other side in such monolithic adversarial terms in a way that is exculpatory and satisfying at times.

Brian:     Yeah, Jon, I'm curious now ...

Jon:         Those are big words.

Brian:     I was going to say those are amazingly big beautiful words and you just earn sexy points on the radio when you start talking big words like that.

Jon:         I hope I'm exculpatory at times.

Geoff:         I have the best words. All the best words.

Jon:         I think Exculpatory At Times is a good song title for something coming up. I'll have to find out what it means.

Brian:     Stay tuned for something like that. Jon, it sounds like ... Is it the same ... Clearly Geoff, brings a lot of political perspective and current events and stuff happening on the Hill. What do you bring to Of Tomorrow outside of ... Is it just the music for you or [crosstalk 00:09:39]?

Jon:         So really, when I met Nick at a jam session, I was playing in another local group, Nappy Riddem, great reggae band.

Geoff:         They're awesome.

Jon:         I had been with them for three and a half years, but when I met Nick ... As a drummer, you meet a bass player. His versatility and what it brought out of me made me think, "Wow, as a back beat, as the backbone of a band, we could enable amazing things to happen." I really created this in my mind, what I created, was a place that people could express themselves on top of and with the support of drums and bass that can pretty much do whatever is called for.

Brian:     That's amazing.

Jon:         When Geoff brings this passion and lyrical content to the song, that's exactly what my mission is, is not to control or say, "Hey, you come here and play this guitar or you come here and say these things," but to see him or anyone come in and really be enabled to make something that is really true to them, but also musically technically versatile and beautiful. That for me is the mission. I'm not the singer so I'm not about to tell you what to sing.

Brian:     Right. What about now outside of the music part now? Geoff, it sounds like a lot of your life is captured in political persuasion and such. Outside of work and outside of the work part, what's life like for you guys? Are you homebodies? What do you do in your downtime?

Geoff:         Every single second of downtime I have when I'm not sleeping, I'm generally mustering up all the energy I can to do things that are related to this band and its development.

Jon:         Getting a band to be actually playing out and have shows and get records done and all that ... As anyone out there knows, everyone knows, it takes an immense amount of work and Geoff definitely does an incredible amount of work.

Geoff:         Jon helps a lot. The thing is, you know, in some senses starting any new initiative and getting it off the ground, it can be ... It's sort of like a political campaign in a way. Running a band can be like a political campaign just with no election day, which can be exhausting. One difference is instead of having a VAN database where you have hundreds of thousands of voters and you put together root packets and send volunteers out to talk to them, you have a spreadsheet where you have 200 venues, festivals, and breweries and you basically need to look up contact or hire someone to go through that and look up contact information and do all the outreach.

For us, who's a band who does a lot of that ourselves, we don't quite have the volume yet to get a big production house but we've had a really amazing group of people who've really latched on to what we're doing and contributed their enthusiasm.

                  For anyone who's interested, I would definitely recommend they go to DCMusicRocks.com or to BandOfTomorrow.com and see the videos that we've had. We shot those at this big warehouse party in D.C. at a art space. It was this amazing night and we invested a lot in the video crew and we had Da Vinci Sound and Vision out to record it and [AudioBar 00:12:46] came out and [Pat Chen 00:12:48], [Sean Gokin 00:12:48]. It was great. Everyone walked away really excited, almost feeling like, "This must have been ..." I hear someone walk away and say, "This must have been what it was like to be in Haight-Ashbury in the 60's." That same kind of ... It was two weeks after the election. The whole art scene came together around it. People just had a lot of raw energy and in our song Order of the Red Banner, which is also on our website and social media channels, a lot of that came out in that as well.

Brian:     Check that out. Now what are you guys ... Talk to me about exciting things coming up for Of Tomorrow.

Jon:         Can I speak to that just for a second?

Brian:     By all means. Jump in.

Jon:         Because I think the D.C. music scene has something special, as that we're in D.C. and having grown up here and been in the underground scene and the art scene, there are certain parts of the scene here that are totally disconnected from what people think of Washington monuments, politics, all that. It's just people expressing themselves, making art. There's another part of the scene, which is very, very politically active. That was represented always by a lot of charity shows and Positive Force and groups that combine music with political action.

                  That's what makes this place special, but it's important in and out of the area to recognize, there's always been a part of the scene that's just about the music, just art.

Brian:     And the scene is wonderful for that in terms of being very supportive and I love that about the D.C. music scene, which is one of the reasons I love this show and we do this.

Jon:         We have a really good thing here. It's great. And it's growing too. It's awesome to see it grow.

Brian:     I want you to tell ... Well, first I want you to say if they're interested in finding out more about you guys, where do they find you guys online or to follow you guys?

Geoff:         BandOfTomorrow.com.

Brian:     Got it. It's all there?

Geoff:         Or @bandoftomorrow on Instagram, but BandOfTomorrow.com, actually our new album is up for free, just for an email address.

Brian:     Check it out.

Geoff:         There's also a link there to our very good friends at Void Life Records, who if you are willing to pay $8.88, they will send you a physical copy of the CD with one-of-a-kind drawings on the envelope and handwritten thank you note because they are amazing.

Jon:         Wow, those guys are super cool.

Brian:     That's amazing.

Geoff:         That's all at BandOfTomorrow.com.

Jon:         Talk about grassroots.

Brian:     I want you guys to speak to ... I'm going to put this little clip on because you said there's a DJ Unown. Is that what you said?

Geoff:         Yeah, [crosstalk 00:15:10] good company.

Brian:     Talk about this. Hold on. Let's listen for just a second here. Listen to what's happening in this audio clip here.

Geoff:         From the song we just heard, that sample ...

Brian:     It sounds like noise.

Jon:         Oh, put it back up for a second. He just deconstructs it the beginning and turns it into ...

Geoff:         And turns it into this.

Jon:         A crazy beat.

Geoff:         It's amazing.

Jon:         He did this at the show. He actually made this as we were playing.

Geoff:         It was that warehouse party I was talking about before.

Jon:         It was done when we were done. He just grabbed stuff out of the air and makes art. His name's actually Unown. Not really DJ Unown. He plays with Oddisee. He's their MPC sample player. He's extremely well known around here to anyone in the hip hop scene.

Brian:     Wow.

Geoff:         He basically came and he set up a microphone in the corner of the room and then when we were done, he went down and he plugged into a DI box on stage and he played back remixes of all the songs we had just played, none of which he had ever heard, using only samples that he recorded that night.

Jon:         Live.

Geoff:         He also plays with Oddisee, the rapper from D.C. who is about to go on a nine-month world tour making us all very, very proud and Ralph Real, who's our keyboard player is also going on tour with them.

December 27, 2016 - All-Music Episode

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FROM TODAY'S SHOW

MUSIC

  1. Insight - Fort Knox Five w/ Asheru (Funk)
  2. Haterz 24/7 - See-I (Reggae/Funk)
  3. Calabassas - Pleasure Train (Rock/Indie Rock)
  4. Sailing Empty Tonight - FuzzQueen (Rock/Indie Rock)
  5. Hero - Heather Mae (Pop/Singer-Songwriter)
  6. Contact - ddespair (Pop/Indie)
  7. One More Good Thing - Uptown Boys Choir (Rock/Alternative)
  8. Nights At the End of the World - Ms. Fridrich's Messy Ann Band (Rock/Indie Pop)
  9. Baby Bought A Ticket - Lesson Zero (Rock/Indie Rock)
  10. I'll Make a Man Out of You - In Your Memory (Hard Rock/Post-Hardcore)
  11. Afraid of Living - Declan Poehler (Rock/Alternative)
  12. The Mob Goes Wild - Clutch (Hard Rock)
  13. Without a Hitch - The Beanstalk Library (Rock/Alt-Country)
  14. The Arrow and the Song - The Orchid (Rock/Post-Rock)
  15. Intro/Outro music by Fellowcraft (Hard Rock/Blues)

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