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Aaron Myers

12/26/17 - Best of DC's Holiday Playlist - All Music Episode

Some of our favorite tracks by DC Music Rocks artists on the Listen Local First Holiday Playlist we released!  Next week we have Andy Fekete of Boat Burning joining us in the studio!

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FROM TODAY'S SHOW

MUSIC

  1. Christmas Time, by Jason Masi (Pop)
  2. Santa Baby, by Veronneau (Jazz)
  3. Merry Christmas Baby, by Chuck Brown (Go-Go)
  4. More Than Presents, by Luke James Shaffer (Pop/Rock)
  5. Let It Snow, by The Harry Bells (World/Jazz)
  6. Santa Tell Me, by Sub-Radio (Pop)
  7. Give Love On Christmas Day, By Rare Essence (Go-Go)
  8. A Creditory Christmas, by Dan Wolff (Country/Folk)
  9. Up On The Rooftop, by Rocknoceros (Pop/Rock)
  10. Christmas Time Is Here, by Christos DC (Reggae)
  11. Love All Year, by Aaron Myers (Jazz)
  12. I'll Be Home by Christmas, by Staunton (Rock)
  13. Christmas Time, by Justin Jones (Rock)

->Follow The Show's Spotify Playlist<-

Happy Holidays, from all of us at DC Music Rocks!


Patreon

Would you support us?  We'd love to grow and do more!  We're giving away shirts, access to our private facebook group, and more!  We also intend to set aside 10% to contribute directly in the DC Local Music Scene through charities, sponsorships, events, etc.  We want to continue to pay it forward!

HUGE shoutout to our current Patrons! 
--Daniel Warren Hill  --David Mohl


12-26-17 All Music Social B4.jpg

6/20/17 - Special Guest: Angie Gates, Director of DC Office of Music & Entertainment

Thanks, Director Angie Gates, of DC Office of "All Thing Entertainment" for joining us on this week's episode!

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Podcast:  iTunesGoogle PlayStitcherPocket CastsPodBeanPlayerFM, or THIS URL in your app of choice

FROM TODAY'S SHOW

MUSIC

  1. Barryism by Three Man Soul Machine (Jazz/Soul)
  2. Good Ass Love by Pebble to Pearl (R&B/Funk)
  3. Overnight Scenario by Rare Essence (Hip-Hop/Go-go)
  4. Summer Cool by Carolyn Malachi (Jazz/R&B)
  5. Bags Packed by Aaron Myers (Jazz/NeoSoul)
  6. Complicated by Black Alley (Hip-Hop/Hood Rock)

NEW RELEASES

Wylder - Save A Way (single)
Will Eastman ft Furniteur - Detroit Disco (single)

THIS WEEK'S LOCAL DC SHOWS TO SEE 

There's so many!  Visit our Local Music Calendar to see the full list!  These are just the few we discussed on the show to get you started.

Fri Jun 23
Black Dog Prowl, Tempercrush, FuzzQueen, Lisa Said @ Black Cat in DC
The Jones @ Kalypsos in Reston, VA

Sat Jun 24
Will Eastman @ U Street Music Hall in DC
Black Alley @ Howard Theatre in DC

Sun Jun 25
Justin Trawick and The 9 Songwriter Series @ The Black Squirrel in DC

Tues Jun 27
The Cowards Choir @ Jammin Java in Vienna, VA

Wed Jun 28
A Shrewdness of Apes @ Iota Club in Arlington, VA

Thu Jun 29
Yellowtieguy @ Sauf Haus in DC
Annie Stokes @ Jammin Java in Vienna, VA

->Follow The Show's Spotify Playlist<-



ANGIE GATES

VIDEO - BIO - LINKS - TRANSCRIPT

BIO:

Angie M. Gates has been appointed to serve as the Director of the newly formed Office of Cable Television, Film, Music and Entertainment.  Director Gates most recently served as the Director of the Office of Motion Picture and Television Development before that office merged (on October 1, 2015) with the District's Office of Cable Television. Before that, Gates served as the Director of Inauguration and was the former Director of Operations for Mayor Muriel Bowser’s Transition Team. During Mayor Bowser’s campaign, Gates was the Traveling Chief of Staff.

Gates made history as the first African American General Manager of the Historic Warner Theatre, located in the heart of the nation’s capital. Her extensive experience includes work with President of the United States Barack Obama and First Lady Michelle Obama. Gates began her career as a film specialist for the New Orleans Film Commission and her film projects include Interview with a Vampire and Pelican Brief. She is the former Associate General Manager of the Historic Saenger Theatre, located in New Orleans and she previously served as the Director of Engagement Relations and Marketing for the Theatrical Division of Clear Channel Entertainment.

Gates received a Bachelor’s Degree in Communication and a Master of Arts Administration Degree with a Special Concentration in Sports Management, graduating Summa Cum Laude from the University of New Orleans. Gates serves as a Board Member of the New Orleans Theatre Association and Negro League Hall of Fame. She is also a member of the DC Chapter of the Recording Academy of Arts and Sciences (The Grammy’s).

.

Links

https://entertainment.dc.gov

https://www.facebook.com/pg/entertaindc

https://twitter.com/entertain_DC       

https://www.instagram.com/entertain_dc/

INTERVIEW TRANSCRIPT

Brian:     On DC Music Rocks we're shining a spotlight on the great songs and incredible people behind the DC region's music scene. And so let's get to know one of those incredible people which is Director Angie Gates, who serves as the Director of Office of Cable Television, Film, Music and Entertainment. And I know people must ... That's a mouthful, I know they must give you a hard time about the long name.

Angie G:     Yes. Just the Entertainment Office, all things entertainment.

Brian:     Entertainment, I love it. And she began her career as a film specialist for the New Orleans Film Commission, and her film projects included Interview With A Vampire and Pelican Brief, which you might have heard of before. I recognize those names, that's exciting. She is a former Associate General Manager of the historic Saenger Theatre located in New Orleans, and she previously served as Director of Engagement Relations and Marketing for the theatrical division of Clear Channel Entertainment. But Gates made history as the first African-American General Manager of the historic Warner Theatre located right here in the heart of the nation's capital. So amazing things going on in this incredible woman's background here. She's an alumni of the University of New Orleans, and serves as a board member of the New Orleans Theatre Association and the Negro Hall of Fame. And she's also, as she mentioned, a member of the Recording Academy here in DC.

    So, I first came across Angie and the Office when I was putting together the local music calendar on the website for DC Music Rocks. And they were kind enough to help me with the funding to help get the coders to create this amazing resource that I've been able to build so it is, first and foremost, I finally get to say to you, thank you so much for helping me with that and that opportunity. And listeners, it is with great pleasure that I introduce Director Angie Gates.

Angie G:     Well, I'm delighted to be here. That's an impressive background. I did those things?

Brian:     You sound pretty incredible, right? And here you are.

Angie G:     But I'm glad we were able to support on the calendar, DC is musical icon city. Coming from a background with my father being a musician, it's just amazing to be able to be here and be in this role and be able to play a part to move the dial forward for the musicians here locally.

Brian:     Yeah. Now, so talk about ... The first and most important thing I want you to share is talk about the amazing things you guys are doing to support the music community here in DC. Because I don't think people realize just what that ... How much you support. So share with that.

Angie G:     We're doing a lot. We're doing a lot. What was important was to first listen to the music community and find out what the community felt was missing, ways that we could help, ways we could bridge the gap to help push the musicians forward. Not only locally, but to create a presence for them regionally and nationally.

     So at our office we do a few things. Not only through our networks, DCN, we have the Sound where we highlight local artists. We also have the 202, which is a new original programming. We also have Display, where we showcase videos. So I would love for any of the musicians who have videos to send them to us so we can air those. But we have dedicated ... And I have to give a shout out to our wonderful mayor, Mayor Muriel Bowser, she has the month of September dedicated to 202Creates, so we have a website, 202Creates.com, #202Creates has done 58.6 million impressions, but that's our way to dedicate an entire month to the creative community and highlight musicians.

Brian:     And what kinds of things do people possibly can they look forward to to that September 202Creates? What does that mean?

Angie G:     Well, it's all about the creatives. It's all about the artists that we have. We make sure that we highlight the musicians and the creatives in all eight wards. We showcase and provide sponsorships. We highlight marketing opportunities and interviews, provide marketing opportunities where they can promote their craft via the electronic media kit, things of that nature. But we actually go out to the community, so we're ... The community and the musicians in DC have a seat at the table. As the Director, I'm not making the decisions, I'm responsible for executing them.

Brian:     Got it. And if folks want to ... You said there's a website? Or if they want to find out more about this 202Creates thing, where do they go?

Angie G:     So, we have a website, 202Creates.com. And you can also find out more information about our agency and what our agency is doing at entertainment.dc.gov, and follow us on Twitter at entertain_dc. And we also have our Facebook page, Entertain DC.

Brian:     Got it. And Instagram. You guys are pretty active on the social media, I've been following for awhile and that's exciting. Now talk about where music came into your life. Because when we went through your impressive resume that we shared, and we only shared a part of that, by the way, check out more ... We're going to have her full bio on the write up for this episode and also on entertainment.dc.gov you can find out more about Director Gates. Talk about where music came into your life or how music has influenced your life.

Angie G:     So, music is just part of who I am. It's part of my DNA. So my dad was a jazz saxophonist, he played the keyboards, he played the clarinet, he went to a historic black college, Jackson State, known as the Sonic Boom, so I think I was listening to music before I actually was birthed. When my mom would be on the road with my dad at different gigs, I think-

Brian:     You were in the womb, you were rocking [crosstalk 00:05:40].

Angie G:     In the womb I was rocking it out.

Brian:     I love it.

Angie G:     So, from the time I can remember, as far back, my dad would do his rehearsals and his gigs. He would do rehearsals at our house, so I would be in the living room rocking out, hitting my little keyboard as he was performing. So it's been a part of who I am. I also think that music is the universal language, so it's allowed me culturally to be able to identify with my various walks in life. I mean, when I was in New Orleans I was with Cash Money, I did the very first Cash Money concert. So, you switch over here and now I'm rocking out to Go-Go, and had an opportunity to work with the legendary Chuck Brown, recently Rare Essence. So it's a part of who I am. Without music, I'm non-existent.

Brian:     Did you ever play instruments or ... ? Or was it like the influence- ?

Angie G:     Oh, I'm a great air guitarist. And I play a mean tambourine, if you want.

Brian:     There it is. Oh my God, the tambourine. And you said a mean air guitarist. I almost want to ask you what song? What song comes to mind for playing air guitar? Somehow I think there's a picture in your mind when you said that, of you playing, was it to a song or something? That's a memory, I mean ...

Angie G:     So, Nirvana and Pearl Jam, I would always rock out to. And a little hidden secret with me, when I wake up in the morning I'll turn on the radio or play something on Pandora, and I'm just dancing. It's a constant concert going on in my head.

Brian:     I feel like it's like a T-shirt we should put out, like, "It's a constant concert going on in my head." Oh, it's so good. I think the musicians would love that for sure.

 So what about you outside ... So, you've got this whole ... You're Director of this incredible organization, you're doing great things around DC, when it comes to outside of work and like your hobbies and your personal life, who's Angie outside of work?

Angie G:     So, I would say this. I've learned to do a little bit better with my work life balance. I enjoy cooking. I really have an appreciation for quiet time. So I think I, for years, would have never-ending days, so in the world of entertainment you would start ten, eleven o'clock, your night might not end until one or two o'clock in the morning. So I would have never-ending days all the time. But for now I really take time and I sit back and reflect. I love being with my family and friends, that's very, very important to me. But cooking, I exercise, so I wake up every morning and I'm on Capital Bikeshare. I ride about-

Brian:     Is that how you get to work? Or are you exercising?

Angie G:     No, that's my exercise. I take the train, I had a Camry for 23 years, it finally died on me, and I said, "We have great transportation here in the District of Columbia," so I hop on the train, I hop on the bus. And Capital Bikeshare, I ride it every day. I do about seven miles a day.

Brian:     Oh my goodness, and you're exercising ... You ain't kidding about the exercise because those Bikeshare bikes are heavy bikes, so you get some workout.

Angie G:     They are very ... They are heavy, they are heavy. And our rec centers in DC have great aquatic centers, and so I'll do that as well. But, you know, just talking walks throughout the Capital Hill area, that's where I live. And just being with my neighbors, family and friends. I have a true appreciation for that.

Brian:     Wow, that's ... And I appreciate that you use the public transit system that we all use, I say, because it just is ... Well, that's encouraging to hear. So I appreciate that.

Angie G:     And I listen to my music along the way.

Brian:     That's right, you got the headphones in and there's something ... I don't know, I'm on the fence, because I feel like on Bikeshare you can use one earphone and that's still okay because you still hear the traffic but then you can still hear the music? I don't know what the law says about that.

Angie G:     And always wear a helmet. Always wear a helmet.

Brian:     Yes. Wear a helmet. Absolutely. All right, so now what about ... Biggest success moment that comes to mind when you think about the amazing things you've been doing with the DC government. What comes to mind?

Angie G:     A few things. Being able to be on the journey with Mayor Bowser, prior to my position I was her traveling Chief of Staff, and I was also the Operations Director when the government transitioned, so that was a big success because it was like almost reading a novel every day. And then all of a sudden it's inauguration and you're in the moment of the hard work and everything that you experienced. It's also very beneficial to me being here in DC. When I was in New Orleans, I left one entertainment venue and came here, and Katrina happened maybe about a year after I was in this area, but I was heading back to New Orleans. And the way that the DC community embraced me during that time, like ... Even though I lost what I thought was home, well DC really is home. And the welcoming that I got, not only from the musicians and the creative community, but just the people here collectively as a whole. To me that's success. To me that's success, to build those type of lifelong relationships as well. So it's twofold.

Brian:     So, I take it from what you're saying then you're not going to be going back to New Orleans, you're going to stick around DC for a little while?

Angie G:     I'm going to stick around DC for awhile longer.

Brian:     All right. I dig it.

Angie G:     I like this city.

Brian:     We get to keep her, guys. This is exciting. For at least a little while. Now, one of the things I want to make sure that ... Well, I've got two questions that I want to ask. The first question is the same question that I always ask every ... It's one of my favorite ones to ask, and that is if you could offer one piece of advice, what would it be?

Angie G:     Don't give up. So I think, especially in the entertainment industry, there's a lot of competition. There's going to be always someone that tells you you're not good enough. You didn't make this group. You're not going to get this opportunity to perform. And it's very, very important not to give up because it can become very discouraging. Sometimes you even have to change the people around you. That's another piece of advice I want to give you. If you're in a circle of negativity or people are not trying to lift you up to say, "Look, you can do this, you just have to work hard," but more importantly, it's that moment when you're like, "This is it. I'm throwing in the towel. I'm not going to do this anymore. I've heard no for the final time. There's no opportunities for me." Just think back to this moment and hear my voice saying, "Don't give up," because it's going to be that pivotal time where things will change. So you just can't give up.

Brian:     And you're talking like that's from some personal experience, too.

Angie G:     Oh, absolutely.

Brian:     What comes to mind when you think about that when a time when you didn't give up?

Angie G:     So, I can think of several. But I think a few things have been ... And I'll just tell you a quick, quick funny story. I was on tour at one point, and you're only as good as your next tour, that applies to musicians, that applies to the promoter, you're only as good as your next tour. So when the tour ends, that's a wrap. So I was in a situation where the tour had ended and-

Brian:     And you were on tour in what capacity?

Angie G:     So, Clear Channel at that time focused on the Broadway Theatre Series, but also there was an Urban Theatre Series. So a lot of the Urban Theatre, like your David Talberts who's actually from this area, Tyler Perry, a lot of musicians also perform as actors ad actresses in those type of productions. So I was the producer and the promoter for those events.

      So when the tour ended, I didn't have a job. And I remember finally thinking I was going to get this great job down in Mississippi as the Entertainment Director for a casino. I could do that with my eyes closed. I was like, "Oh, I'm winning. I got the gig." They basically had said I had the job. And then I had to take this test. And I've always been horrible at standardized tests, even in elementary school, like the CAT exam. I took the ACT, made a 14, then took a prep course for the ACT and got a 12. That's how bad it was. But I took the standardized test and out of a rating of 100% I scored a 20%. It was based on this trust factor, or this honesty component, something crazy. And I remember just feeling so shattered, and just, I'm like, "I can't ..." So not only could I not get that job, but I couldn't even work at the casino. I couldn't even be a bartender or a cocktail waitress or work at any of the restaurants. So, to have a Master's degree at that time, to have graduated summa cum laude, to have run these various venues and then have the reality that you can't even go work at the pastry shop, that was devastating. And I really thought it was the worst, but I came back with a vengeance.

Brian:     Yeah, and God, look at you now.

Angie G:     I didn't give up.

Brian:     I'm glad you didn't give up. I'm glad you ended up here.

Angie G:     And that's just one story. There's many more.

Brian:     And many more ... So next time you see Director Gates make sure you ask her for another one of those stories. I'm going to the next time I see her, that's for sure.

     All right, so now I want to ... The important thing that I think I want you to share with folks is if you are a musician, and you are interested in ... What are the opportunities to interact with the DC government or what types of things are you doing for musicians, and then for music fans? Share about that.

Angie G:     So, one of the things that's key, we have an open invitation. So it's just as simple as contacting our office and scheduling a meeting, and telling us what is it that you need that we can help with. So, there are times when we offer small sponsorships that can provide resources from a financial component, but we also are a production house. So we have studios, we have audio opportunities, videography opportunities, we have actual tangible resources that can help musicians, and we have our television shows that give you the platform ... Anyone that's a cable subscriber, and we're talking about 300,000 plus subscribers, we can put you on any of our musical platforms and have your talent showcased.

     For 202Creates, not only are we focusing on that during the month of September, but that's a year round initiative. So, we welcome any of those opportunities. I would also encourage individuals to get involved with the Recording Academy. That's a great resource, and you're surrounded by musicians that can provide opportunities there as well. But come be a part of the 202Creates family. We're here to help, we're here to serve.

February 07, 2017 - Special Guest: Alex Drewenskus of WAMU's Capital Soundtrack

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FROM TODAY'S SHOW

NEWS

  • Clarendon Grill in Arlington, VA now features DC area original music.  They call it the Thursday Circus, and the evening generally features at least 2 original bands:  Our host, Brian Nelson-Palmer, will be there this Thursday with Fellowcraft, joined by The Forever Agos with Cathy Ditoro and Derek Evry.  Come say hi!  Next week is Pleasure Train and Escaper,  Following that is Olivia Mancini, VA Southpaws, and Nova-tones.  Linked bands we've featured on this show!

  • We're up to 20 videos from DC area talent who've shared their Tiny Desk videos for NPR with us!  Check them all out on the Find-Browse Artists Page!

  • DC Music Resources Page on this website, continuously updated list of: Venues, Festivals, Event Series, Media, Radio, Blogs, Podcasts, Organizations, Facebook Groups, Record Stores, Labels, Management, Studios.

MUSIC

  1. Aaron's Blues - Aaron Myers (Jazz/R&B)
  2. Serious - Roof Beams (Folk/Indie)
  3. Sensory Insensitivity - ShowPony (Indie/Instrumental)
  4. Cairo - Paperhaus (Indie/Alternative)
  5. Ashe - Nitemoves (Techno/Electronic)
  6. Hounds of Thoughts - The Sea Life (Rock/Shoegaze)
  7. Intro/Outro music by Fellowcraft (Hard Rock/Blues)

->Follow The Show's Spotify Playlist<-



Alex Drewenskus

VIDEO-BIO-PHOTOS-LINKS

Bio:

Alex Drewenskus is a broadcast technician at WAMU 88.5, Washington, D.C.'s NPR member station, and currently engineers WAMU's 1A, a daily talk show that takes a deep and unflinching look at America to bring context and insight to stories unfolding across the country and the world. He has previously worked on The Diane Rehm ShowKen Rudin's Political Junkie, and has worked at the famed electronic music venue U Street Music Hall. In mid-2016, Alex helped launch WAMU's Capital Soundtrack project, an initiative that showcases local music on WAMU's airwaves in order to connect the station and its listeners to the music of the region. Since Capital Soundtrack's introduction, WAMU has played nearly 2,000 songs by artists from all over the D.C. area and encourages artists to submit their own music to become a part of the project. Alex graduated from American University with a degree in Audio Technology and is a native of Washington state.

Links:
http://wamu.org/music
http://bandwidth.fm
https://twitter.com/bandwidthDC
https://www.facebook.com/bandwidth.wamu

http://the1a.org
https://twitter.com/1A
https://www.facebook.com/the1ashow

Interview Transcript

Brian:     Alex Drewenskus from WAMU's Capital Soundtrack is a broadcast technician at WAMU 88.5 FM which is Washington DC's NPR member station. Currently engineers WAMU's 1A which is a daily talk show which brings context and insight to stories unfolding across the country and around the world. He previously worked on the Diane Rehm Show.

Alex:      Rehm Show.

Brian:     Rehm Show. Yes, please give me these pronunciations right. I got the Diane Rehm Show, Ken Rudin's Political Junkie, and at the famed electronic music venue, U Street Music Hall. In mid-2016 Alex helped launch WAMU's Capital Soundtrack Project which is an initiative that showcases local music on WAMU's air waves in order to connect the station and its listeners to the music of the DC region. Since Capital Soundtrack's introduction WAMU has played nearly 2,000 songs by artists from the DC region and encourages artists to submit their own music to become a part of the project.

                  I first came across Capital Soundtrack with my band, Fellowcraft. We were looking for ways to spread the ways about Fellowcraft and I heard that on 88.5 they played local music. We came across Capital Soundtrack and they've played Fellowcraft along with, like it said, several thousand songs. Listeners, it's with great pleasure that I introduce Alex.

Alex:      Thank you, Brian.

Brian:     Thanks so much for being here.

Alex:      That was an extensive introduction, thank you for that.

Brian:     Well, I want to give them the background so now you can tell us more. Now, tell us about the Capital Soundtrack, let's start there. Capital Soundtrack. Where did that come from? What's the story behind that?

Alex:      Yeah, so a team of us at WAMU have been working on Capital Soundtrack for about the last eight months, we launched it about six months ago. Essentially, what it is is an initiative that wants to play as much local music as possible so that we can ... Sorry, DC region music as possible so that we can further associate WAMU which is a public media station, it's a public radio station. We want to associate our station with the sound of the region so we don't want WAMU to just be a part of the region, we want it to sound like the region as well.

Brian:     That's ... And I really, I think it does, it's really ... I can't tell you how many times I've seen on Facebook somebody say, "Oh my God, my song was just on 88.5 FM." It really is, it's wonderful that you're making that connection with the region. Thank you guys and thank you WAMU for starting this initiative and for doing this.

Alex:      Well, you're welcome.

Brian:     Now, what's the ... You said it's an NPR affiliate. What's the MPR connection to you guys?

Alex:      Essentially the way NPR works is NPR produces shows and they distribute those shows to NPR member stations which are community radio stations, public radio stations throughout the country. Most major cities have an NPR member station in them. The one for the DC area is WAMU 88.5 FM. If you tune in each station might have different content and they might have shows that they create. Then they might also play the shows that are the flagship programs of MPR. Shows like All Things Considered, Morning Edition. Then, it's up to stations to determine how much of those programs they want to play and what they want to play when those programs are not playing, so they can make their own content.

Brian:     Got it. How much is the ... How much is you guys here locally, and then how much of the ... What's the proportion of, like, NPR and you guys here at 88.5?

Alex:      The majority of our programming is bought from several public media organizations. NPR, American Public Media is another large one, that they abbreviate their name to APM, so you may have heard of their stuff. Then, several other production companies. We pick a lot of shows for the weekend, that we only play an hour of that organization's programming a week because they only make maybe one show a week, that kind of thing. During the weekdays the majority of our programming is bought from NPR. We also have our main programs, the Kojo Nnamdi Show and 1A which is another program that I work on.

Brian:     Capital Soundtrack then, how will people ... Tell more about what that actually means? They're going to hear little clips of music behind what somebody's saying? What are they going to hear if they hear the Capital Soundtrack specifically?

Alex:      Each day we allocate 20 songs, 20 songs that are by DC area musicians. We allow our engineers and hosts to play those songs during our local breaks. During a show like Morning Edition they'll hear content made by NPR. Then during the break which we know comes at certain times, agreed upon times, during that time we have the ability to play that under our host talking. Say if the host wants to, really likes the track or something they can just fade it up and they can play that track for as long as they want.  If it's a one minute long break they might talk for 30 seconds and then you might hear 30 seconds of a local musician.

Brian:     Got it. This is in between the breaks in NPR, this is where you'll hear the Capital Soundtrack stuff.

Alex:      Exactly.

Brian:     During other times of the day too? Is it throughout the day?

Alex:      It's throughout the day. It's 24 hours a day. Even though we go into automation basically we allow our computer system to play our program shows overnight. We have basically programmed it so that it will take snippets of Capital Soundtrack songs and it will insert them into those breaks as well. It's all throughout the day. The Kojo Nnamdi Show, they use that music as their break music. They use it as not only a transition away from their host but the vocal host who's talking during that time might also use that music. It's a lot of different opportunities for people to hear local music, local DC area music.

Brian:     That is so cool. Now, talk about ... On 1A, you're working with that show now. What is 1A? Tell us about that?

Alex:      1A is the successor show to the Diane Rehm Show. Diane Rehm was a staple of public radio for almost four decades. She stepped away from the microphone, she's 80-years-old.

Brian:     Oh my goodness.

Alex:      She's been doing this for a really long time and she's become one of the flagship programs of NPR. She's really widely recognized as one of the greatest female hosts and hosts in general of NPR. 1A is the successor show to that. Our new host, Joshua Johnson, he's about half her age, half of Diane's age.

Brian:     Which makes him an incredibly young and handsome gentleman I'm sure.

Alex:      Yeah. Yeah, he's great. He came from California and he just joined us. We just launched our show on January 2nd of this year. Basically, we're a two hour talk show and we look at the issues of our time, the culture reporting, arts reporting, politics, news events, all different kinds of things. 1A essentially stands for the first amendment. We encourage free speech, free expression, and we want our listeners to engage with us on the show. We really call out for listeners and their input as much as possible.

Brian:     How would they provide their input?

Alex:      Basically, we have Twitter, we have Facebook, we have email. They can call us live. If you want to find us on Twitter we are at 1A. We're just the number 1, the numeral 1 and the letter A. It's just the two letter handle on Twitter, it's pretty rare.

Brian:     That's about as easy as it gets.

Alex:      We're very proud that we got that actually.

Brian:     That's amazing.

Alex:      Yeah. It's many, many different resources. You can go to the1a.org and you can also find more information about the show there.

Brian:     Find it all there, that's so cool. Now, Alex, tell us about you and your story with the DC music scene.

Alex:      I moved here about six years ago and I went to American Union University. I studied Audio Technology, essentially what is Audio Engineering. I was really interested in recorded music, live music, sound design. I found that DC actually had a great live music scene as you know, Brian, as well.

Brian:     It certainly does, good gracious, yeah.

Alex:      It's extensive. There are so many artists in this area and it's not just DC, it's Maryland, it's Virginia. It's up the river, down the river. It's an entire community of people that create what the sound of this area is. Yeah, that's how I got interested in music, I knew there was this big diversity there.

Brian:     You mentioned in your bio about U Street Music Hall. What's the ... There's a connection there? What's the ... ?

Alex:      Yeah. When I was in school I was lucky to get a job at U Street Music Hall. For those who don't know, it's a dance club and concert venue. It's on U Street of course, given the name. It's often voted as one of the greatest sound systems on the entire East Coast. It's a basement venue and it's about ... It can hold over a thousand people in there.

Brian:     Holy smokes.

Alex:      Yeah, it's a great venue.

Brian:     Check out U Street Music Hall, that's amazing. Now, one of my favorite questions that I love to ask is, what's one piece of advice that you would offer?

Alex:      One piece of advice that I would offer is go seek out live music. If you don't like live music go seek out recorded music. Go online. There are plenty of resources throughout the region. If you go to a place like Hometown Sounds they create a great radio show themselves. Shows like yours, DC Music Rocks. We have the DC Music Download. There's an incredible wealth of music and talent out there, you just have to find it. There are websites that aggregate all the venues in the area, all the events that are going on. Every night there's a possibility to see live music if you'd like.

Brian:     That's amazing. I'll check out the scene. Now, for those folks who are interested in finding out more, and I want you to share about the submission process for Capital Soundtrack. Talk about the show and where they find you and how they submit, an artist if they're listening with submit music.

Alex:      Yeah. If you go to wamu.org/music you can find all of our play lists. We post a daily play list of the songs that were heard that day.

Brian:     Oh, so you can find it on the website.

Alex:      Absolutely, yes.

Brian:     Awesome.

Alex:      On that page, wamu.org/music, you can also click our submit a track link. If you create music yourself or even if you've heard a track that you like you can recommend a song. You can submit those songs to us and we'll seek them out. If you provide a link to us that's even easier. We'll listen to it. We're looking for instrumental music or instrumental portions of songs at least 30 seconds in length. That's so that our hosts and our engineers can fade in and out of it, they can talk over it if they need to. It's tough with music with vocals because the vocals of the music can clash with a host talking over it sometimes. It's not the easiest so we look for instrumental music or instrumental portions of songs.

Brian:     So cool. Listener, it doesn't have to be the artist. Listeners, if you know of an amazing band that you love in town then share that with WAMU as well because they're playing that stuff as well. Are you guys, so I heard the1a.org. Wamu.org?

Alex:      Org/music. That'll send you to our bandwidth music site. Bandwidth is our music blog basically. It's our online music destination and it covers local and national music news.

Brian:     That's the bandwidth.fm, I've heard that name before. Okay, so bandwidth.fm, check that one out. You guys, social media? I assume you guys are doing that stuff too?

Alex:      Yes, of course.